Ep. 9 “With all my Heart” (contains spoilers)
With a final international press day over for the Merlin cast, many of their fans feel betrayed that the actors have suddenly developed collective amnesia about all the promises made for a sixth series and Merlin movies they talked about until just a few months ago – now they all claim it was only ever going to be five series and NO movies at all were ever in the pipeline for them.
It had been “political” Bradley James said in interviews: nobody should find out before 26th November the actors had decided months ago they would not carry on.
Liars, liars, pants on fire, is all one can say to BBC, Shine Ltd and yes, the acting team, who have gone down in my esteem thanks to these manipulations and outright lies.
So, “with all my heart” I’d like to state that I detest being manipulated into buying “the last ever Merlin series on DVD box set in the rush towards Christmas”, thank you very much.
Frankly, after watching episode 9, without doubt the worst Merlin episode ever made, I’m now relieved they’re not carrying on with movies and more TV. Nil point for this cheap and awful Panto episode, where Colin Morgan and Bradley James are practically phoning in their performances and everyone else is finding it hard to keep a straight face.
The episode never reaches the emotional climax it should do, given Arthur’s fighting for the life of his beloved wife Gwen and Merlin manages to obtain the king’s acceptance that not all magic is bad.
For every time a scene arrives requiring dialogue & action that engages us on a deeper level, Merlin’s either dressed up as a man in drag (nooooooo, even Colin Morgan’s exceptional acting skills cannot make him move and talk like a woman let alone look like one!) or the cast are asked to perform slapstick comedy with bread rolls or Gwen’s being carted around like a sack of potatoes, making an absolute mockery of everything that went on before and the threat she poses to Camelot.
This is playing to an audience of 5-year-olds and is hardly the “darker, more grown-up” show we were promised over and over again by Capps & Murphy, and yes, by every actor on the show.
The scene by the “cauldron”, which turns out to be a loch or lake in the mountains, is cheapened and made ridiculous by Colin Morgan in drag. The lame “glowy light” effect surrounding Gwen, when she’s transformed into her old loving self, ruined the entire emotional build up, such as it was.
Real onscreen magic comes not from cheap CGI trickery, but from using imagination, originality and making the most of the charisma and skills the actors bring to the show. Judging by episode 9, Uther has at last fulfilled his dearest wish: both Camelot and our TV screens are entirely devoid of magic and sorcery!
Full marks go to young Alexander Vlahos for his multi-layered performance as Mordred, the only highlight in this dismal episode. Morgana (Katie McGrath) has accepted her role as evil panto-queen rather than insisting her considerable acting talents be allowed to shine. Shame on you, Shine Ltd, for spoiling our last Merlin season with such poor fare and robbing us of the magic it could and should have been!
Merlin prancing around in a dress performing the lamest CGI magic on record is hardly going to convince critics to bestow a BAFTA on the show. Please stick to the day job Colin; you’re hopeless as a woman!
What would have happened if ITV’s Downton Abbey’s actors had never agreed to be part of the show – would a different set of actors have made any difference to the critical acclaim and commercial success of the show? Nope, not one bit. Why?
Because Julian Fellow’s scripts are excellent and his overall story arc is always extremely well researched and spot on; we get a consistent story and character progression for every member of cast. It may be more subtle in the case of say the butler or housekeeper for example, but it is there nonetheless, the moving with the times and circumstances, the acceptance of loss, of change and modernity, of growing up and finding one’s place in the world, of social upheaval and barriers being broken.
Don’t get me wrong, I love Downton Abbey and hugely enjoy the current cast…but they are interchangeable with other actors (Dame Maggie for Dame Judy for example) and having a different set of actors would make no difference to the success of the show.
Both Downton Abbey and Merlin are family viewing, prime time shows, appealing to a wide range of people of all ages and gender. But Downton Abbey wins all the prizes…why? Is it because it’s not a fantasy show? Nope, not at all. Dr Who and Buffy the Vampire Slayer fall broadly into the fantasy genre, yet both shows can boast a plethora of prizes. These are shows where the writing’s great and the producers know what they are doing.
Incidentally, the setting of “Downton” (Highclere Castle) is as integral to the show as Pierrefonds Castle is to Merlin…BUT –
the BBC’s Merlin would never have worked without the current set of actors. The show became successful without ever receiving any critical acclaim simply because of the fine ensemble acting the handsome and mainly youthful cast provided and, more to the point, the sensational acting talent of Colin Morgan – we fell in love with this young boy who carried such a responsibility, both as the character Merlin and as an unknown young actor, on whose shoulders the weight of the show’s fate and success rested. It’s therefore particularly hard to accept that the actors cheerfully told a load of porkies with regard to carrying on with the show and the possibility of movies.
Back to ep. 9: Where was the gut-wrenching, heart-breaking impact on Arthur, after discovering the love of his life is a traitor and tried to murder him? We are not shown this, just a brief scene at the breakfast table where a monosyllabic Arthur plays with his food rather than talk to his murderous queen. We are not shown either how on earth Merlin managed to persuade the king in the first place to spy on his wife and entertain the notion she might be the traitor Camelot’s knights have been hunting for.
As soon as a little in-depth analysis of the emotional and psychological impact of events or the motivation for a character’s actions are required – and therefore quality dialogue and subtlety – the show’s writers and producers are like fish out of water and cannot deliver; let’s have some slapstick comedy instead, why don’t we?
Critical acclaim would have made all the difference to the acting ensemble and to us…I have no doubt the series would have continued, had a few BAFTAs littered their way.
“With all my Heart” is a dismal episode and I for one could have done without the horrible image of Colin Morgan in drag, even if we are entering the Panto season!
Don’t worry Merlinians, I shan’t bother writing any more reviews – this final series is just too disappointing to bother with.