Merlin Ep 8 Review and A Call to Arms
(Fairly spoiler free…except…)
Episode 8, titled “The Hollow Queen”, is one of those filler episodes that do not advance the story arc one bit and do little to tie up loose ends. It’s enjoyable enough, I guess, but bears the usual hallmarks of muddle-headed writing, I’m afraid.
Oddly enough, the title might as well have been “Hollow Promises”, since we were told at the outset of series 5 the story would progress by leaps and bounds, that Merlin would finally take centre stage – always bearing in mind the show’s supposed to be about him…
The knights were also meant to see more action independent of Arthur and Camelot, but as you might have guessed, once again Capps and Murphy, the exec producers and creators of the show, stuck to their old formula of one main character being poisoned and then Merlin, with the minimum amount of magic and CGI production cost, saves Arthur’s life once more.
King Arthur, who is supposed to shine as a statesman in this episode, is suddenly thrown back in time to series one, episode 1, where he acts just like an infantile bully boy. In ep. 8 we see him bawling for Merlin at every occasion – it seems the king is incapable of putting on his own shirt and breeches, let alone find his own comb without help.
When it turns out Merlin’s not available, Gaius must come to rescue. Next time, when Gaius is not available, we see a playful king very much “in lurve” who is being dressed by his wife, a mummy’s boy, pampered and cosseted. Hmm…Murphy and Capps have never excelled at writing dialogue, therefore expressing love and intimacy between a married couple couldn’t be done in a more “statesman-like” fashion but had to resort once more to slap-stick comedy. I guess it saved a bit of money, since the producers didn’t have to pay jobbing writers for a better scene with dialogue.
Merlin, who is probably by now regarded as the most slow-witted warlock in history by his medieval contemporaries, falls for yet another Morgana trap; as a consequence, he gets himself poisoned, then rescued by his temporary sidekick and then Merlin runs like a weasel to save Arthur once more at the end.
Why oh why can’t these wretched writers keep their promises – or stick to the letter of the advertisement, namely a show about a WARLOCK – and give us a Merlin-stand-alone adventure, where young Merlin can show he’s heroic, resourceful and wise beyond his years without any Camelot related shenanigans? Simples, as the little TV-meerkat would say.
Capps and Murphy cannot deviate from a winning formula, because they lack the necessary vision to produce a show about the supposedly wisest and most powerful sorcerers of all time and they clearly cannot stick to their promise of truly multi-stranded stories either.
Why or why can Arthur never be shown GOOD MAGIC in an episode? Elementary, my dear Watson (to misquote Mr S. Holmes), because doing so would introduce some REAL conflict and produce a thought-provoking conundrum into the show.
I must say, perhaps the best part of the entire episode comes at the very end, when Merlin stands high up on a gallery above the stunningly beautiful throne room and looks down on King and Camelot…I couldn’t help but feel that he had finally assumed the place and position owed to him at court and already granted to him in our Merlinian hearts.
Castle Pierrefonds, as always one of my favourite characters in the show, shines and sparkles with the corridors, chapel and throne room taking on partly imposing, partly sinister roles. Unfortunately, the writers forget the citadel is more heavily guarded this time round, not just by Camelot’s own armoured division of knights, but also by the visiting king Sarrum and his warriors. Despite this increased protection detail, plucky Queen Gwen not only sneaks out on foot one night to hide a key for Morgana, no – she RIDES OUT ON A WHITE HORSE to meet up with the arch-villainess. Very inconspicuous. Frankly, Camelot’s guards should all be given 125 lashes, methinks. A bunch of sleepy OAPs could do better than that.
Queen Gwen rather enjoys her gorgeous young husband’s wandering hands in this episode, but still wants to form an alliance with old and balding King Sarrum. Is this credible, fangirls? Nope! Not even J K Rowling’s Confundus Curse would be capable of that!
Please Merlin-writers, no amount of sorcery would cause any red-blooded, young heterosexual woman to throw in her lot with Mr Blobby-Sarrum (no offence, Mr John Shrapnel, sir), if lusty King Arthur’s making himself available as a plaything. This really stretches credibility to breaking point for women around the globe.
“The Hollow Queen” was incidentally the first episode where we see young Arthur showing any kind of sexual attraction to his wife – must be the stress of the Sarrum arriving, usually Arthur avoids meeting his wee Gwennie in the bedchamber by taking to a quest elsewhere. Is this Capps and Murphy responding to criticism about the lack of bedchamber action between the royal couple, when there’s been so much bromantic hands-on banter between Merlin and his king?
As a Queen in medieval times, Gwen would obviously be on the way to the executioner’s chamber by now…she has failed to produce an heir after three years of marriage. Would this not have been a credible reason for Sarrum to believe in her treachery rather than him falling for a few smiles and eye-lash flutterings of Gwen? Not according to the writers of the show, who allow a ruthless and cunning King Sarrum to fall for the charms of the first serving-wench-cum-queen that crosses his path.
Around the world Merlinians are mourning the BBC’s announcement that their favourite show will end after series 5. On Facebook we are being fobbed off with nonsense about three films “which would inevitably be a reboot of the show”, according to Messrs Murphy and Capps.
Trouble is, we’ve been fed this line for several months now…and this kind of talk started way back when the actors were still referring to the possibility of season 6 and fans were demanding the hit show to continue…only for all of us to be ignored. By the time any movie script would be ready, the current ensemble of fine young and older actors would have been snapped up by Hollywood or be engaged in long running BBC/ITV sagas of a different kind, given how high profile these actors are now.
One has to conclude that Messrs Capps and Murphy or their investors Freemantle are content to deprive the wonderful Merlin actors of their chance to grace our movie screens with the roles they have made their own over the past 5 years; I for one will boycott any Merlin rebooted film or TV show that does not star the original cast. I can only hope all other Merlinians will do the same, ensuring the Merlin movies that do not feature the current ensemble will flop miserably.
The other startling announcement was that Capps and Murphy are leaving Shine Ltd to start their own TV channel. Either this was long in the planning – in which case the uneven production of the so far shown 8 episodes are explained by the exec producers’ lack of attention to a project they are about to leave – or this came about because of a potential falling-out between Shine, the producers and their investors Freemantle. Whatever the underlying reasons for their departure, I feel rather angry at how this has been handled.
In various interviews this year the two exec producers and the actors were still implying there would be room for another series and follow on movies, yet now everyone’s suddenly saying, oh no, there were only ever supposed to be five and the movies…well, they are a long way off and may be with different people. Erm…that’s actually quite insulting to all of us who have followed the show, bought the DVDs and therefore brought about the financial success of the production company, Messrs Capps and Murphy, the actors and not least, the BBC.
It’s a sad end to an overall great show – great not because of the uneven storytelling, but because of the exceptionally high production values that have shown us where TV is headed in the future and the outstanding acting from a much-put upon cast consisting of Richard Wilson, Anthony Head, Bradley James, Colin Morgan, Angel Coulby, Katie McGrath, Eoin Macken, Rubert Young, Tom Hopper, Adetomiwa Edun and John Hurt plus all their many wonderful guest stars.
They deserved to have the finest dialogue written for them, but were more often than not let down. The present actors made this show what it is…you may want to remember that Messrs Freemantle, Shine and Co, before hiring a bunch of snotty nosed 14-year-olds to “reboot” the series for the silver screen.